Tag Archive: Strike Back

John Porter June 2010 Calendar

For today’s Friday photo I thought I’d do something a little different, a little tongue-in-cheek, and create some John Porter calendars. Come on, it had to be done. He’s begging for it! Although Richard Armitage fans have had widely different responses to Strike Back, there is one thing they have all agreed on; it’s pretty rich in eye candy. So in the spirit of this superficial action romp, I’m meeting the makers of SB half way and offering my own superficial response. One obvious, one less so (personally, I find subtlety more erotic… or maybe it’s my rock roots, can’t resist a rugged handsome bloke in dirty jeans and t-shirt!). Click the images to download a larger size. Thanks to RichardArmitageNet for the Porter images. Enjoy, ladies.

Strike Back, Final Thoughts

OK, some final thoughts on Strike Back and then I’ll move on. Frankly, I’m a bit tired of talking about it! (so no doubt you’re probably tired of reading about it). Before I begin, I should add to yesterday’s post that the only reason I bothered to write about women in Strike Back is because in the publicity for the show, they were promoting their female characters as strong women as if to say: hey, we’ve made this male fantasy action romp but women can still watch it because we have “strong” female characters. Bollocks. A show pretending to be something it’s not annoys me more than anything else, so to point out that women actually served an entirely different purpose in the show was necessary. Otherwise I would have left it be.

Anyway! I’ve refrained from reading other blog posts on Strike Back because I wanted to share my own organic response to the series and avoid succumbing to inadvertently self censoring myself in case I had a radically different response to it… which apparently I have? Despite the fact I write a blog about a TV show, the truth is that I rarely watch TV drama, mostly because much of it is pretty average. My time is precious and I don’t want to have it wasted, so I’m not a TV drama junkie. Consequently, I can be a harsh critic. And obviously I’ve had some harsh things to say about SB. I think this is partly because I watched SB straight after spending a few weeks watching Six Feet Under, which is simply one of the best drama series ever! (Incidentally, RA fanatics, a commenter mentioned that RA enjoyed this series too – so, now will you go watch it, please?). Imagine the band Creed taking the stage after Led Zeppelin.. there’s just no contest! Or as a friend said to me after we saw the jaw droppingly amazing band Living Colour “every other band I see now is going to suck compared to that!”.

Clearly Strike Back is not a show for your more demanding viewer, of which I am one. That being said, I am prepared to suspend disbelief and go along for the ride if there aren’t too many gaps and false notes in the story. Seriously, I am. You have to be to enjoy Robin Hood! The difference between SB and Robin Hood, however, is that one is set in reality and one is a historical fantasy. It’s easier to go along for the ride in fantasy than in a reality based series. While going on the Strike Back ride, I kept falling off (sometimes, in fits of laughter).

I think I would have enjoyed SB a whole lot more if the stories had of been stretched out over a longer period (perhaps 8 eps). This would have given some of the more interesting elements of the show a decent opportunity to be fleshed out. The lead up to some of the more poignant moments (such as Porter’s wife saying they’d be better off without him) was inadequate so the moments did not resonate with the depth they could have. As many viewers have already observed, they simply tried to cram too much in. Or alternatively, they could have made Porter a completely enigmatic figure, ditched all the family stuff and just focused on the missions.

In the lead up to Strike Back, much was made in the press interviews of RA attempting to make John Porter a more well rounded character so the show was not just a gratuitous action romp. But the reality is that this was when the show was at its best, in romp mode. I thought the action sequences were the show’s strength, even though they occasionally strayed into video game territory (but hey, sometimes combat is video game like and the bodies really do stack up) and the escapes were often implausible, but I was willing to go along with this because that is what the show is about. I think RA was able to illuminate complexity to Porter’s character in the course of the missions/action, so while it was a romp it was not an entirely one dimensional affair. I really enjoyed seeing RA play an action hero, he completely convinced me of his combat stealth. Who’da thought that a cello player and music theater performer (CATS) would end up portraying a neck snapping SAS man? Nice work there, RArmitage!

It was also good to see Shaun Parkes play a key role in 3+4. He played David Tennant’s side kick Rocco in Russel T. Davies’ Casanova, which I adore (he has also appeared in Doctor Who). And Spooks fans pre-season 7 may have recognised Alexander Siddig who played Zahar Sharq in 5+6, he had a lead role in Spooks 2.2.

There’s heaps of potential with SB, there but it wasn’t an entirely satisfactory experience for me. Perhaps they’ll do a better job of it next time? Moving away from SB somewhat and speaking more generally, I’d like to see a series that deals with the kind of issues that SB attempted to address, in terms of soldiers dealing with matters of ethics and morality in the theater of war and in the field. We live in a civil society yet we ask our soldiers to do a barbaric job. The reality of combat does not sit well with how we envisage ourselves as a people. Our soldiers have to find a way to exist in this hypocrisy. To live in two worlds where the value systems of each are sometimes contradictory. For example, John Porter was expected to kill a suicide bomber, yet the bomber was a child, and normally we don’t harm children. Compounding the situation is the the way Porter is callously dealt with by the army, as if it were a black and white issue. These kinds of things interest me. I have a long standing interest in the welfare of service men and I think the public would benefit from having a better understanding of what kind of impact combat has on the men who fight wars in our name. With good writing I think these kinds of issues can be dealt with intelligently in the course of an action romp.

Perhaps the real problem with Strike Back is … Chris Ryan’s Strike Back. It’s based on a poorly written book. Maybe another series will have greater freedom to make it work better. At the very least, there will be more Porter jeans and dirty t-shirts to look forward to! If I can’t be satisfied by their “strong” female characters, I’ll go the shallow route and take satisfaction in the eye candy instead (which, incidentally, is what the show intends for its female audience, I think). SEE, I can be superficial and stereotypical too!

Strike Back images from RichardArmitageNet.

Women in Strike Back

Well I’ve finished watching Strike Back. I’m happy to report that I enjoyed the last three episodes better than the first three. With Porter out in the field there were less women around and therefore fewer opportunities for the writers to insert more lame ass things for him to say to them. I should clarify that in my last post, the issue I was attempting to raise was the way Porter interacted with the female characters, his attitude/dynamic with women, rather than the female characters themselves. Although on that front things aren’t too crash hot either. I don’t expect a show like this to break any ground (like Spooks has done with Ros Myers) but that doesn’t mean I’m happy to put up with the same old BS either.

In order for my appraisal to make more sense I need to explain something that may enable you to see things through my eyes. I have a theory, that some men find it difficult to relate to women beyond her occupying the role of nurturer or object of desire. Men of this type are unlikely to have female friends, they tolerate / “put up with” female colleagues at work (and don’t take them all that seriously), and have poor relationships with their daughters because they don’t know how to relate to a female outside of these two roles. Consequently, some fathers of this type may have incestuous feelings towards their daughters, and some even act on them. In addition to the nurturing/sexual object dichotomy, women who don’t perform either of these two roles are often viewed as annoying or unnecessary to a man who inhabits this mentality. To put it bluntly, a woman who does not fulfill a nurturing or sexual role has no value.

For me, in the first three episodes, Porter’s attitude toward women is not clear. He loves his daughter and wants a better relationship with her but all his interactions with female colleagues have sexual connotations. Can Porter relate to women outside of the nurturer/sexual object dichotomy? As a viewer, I am being asked to embrace the hero of the show whose attitude towards women is ambiguous – as a strident feminist, this is something I can not do. I’m not claiming that Porter is sexist or anything like that. I’m just saying that a few crumbs were dropped to make this area sufficiently murky. I’m more suspicious of the writers of the show than of Porter himself. They want a male audience to embrace him, so they’ve used women to help convey Porter as one of the lads…. alienating me from embracing our hero in the process.

I don’t mean to over intellectualise here, I appreciate that SB is not meant to be a fine piece of literature; it’s entertainment. But television is one of the most insidious means of gender socialisation (and I’m an analyst, so everything is fair game!). It has the power to reinforce stereotypes and to defy them. In Strike Back, with the exception of Layla, perhaps, they were reinforced. Dani performs the sexual role by serving Porter sexually (don’t get me started on the notion of a colleague being the honey trap). The Sister performs the nurturing role by comforting Porter when he was wounded (and scolding him for his attitude toward killing, women are the keepers of the social conscious, the feminine tames bestial men).

The Afghan women who hold up Porter and steal his vehicle are annoying. At home, we see the unforgiving wife and the ungrateful daughter. Neither of the women in his life are performing the roles they are *supposed* to, especially the wife, and we are given little insight into the reasons for their hostility towards their husband and father (we are left to imagine), so ultimately these females come off as unreasonable and confirm the notion that women are hard to please and don’t appreciate or understand men. Collectively, the role of women in SB is problematic.

The television reporter who was kidnapped, she is a good character but the fact that the gender of the kidnapped reporter is female is a deliberate choice on the part of the writers. She didn’t have to be, Porter could have saved a male hostage. I’m not critical of the gender choice, I’m simply pointing out that because the hostage is a woman, this serves to reinforce the male fantasy romp that Strike Back is. This part of the fantasy would not have been as fulfilling if the hostage had been a man.

Layla is the saving grace of the show as far as female characters are concerned. Arguably, she’s neither performing an overt nurturing, sexual or annoying role. She is hostile towards Porter at the start (and therefore is “against” Porter, just like his wife and daughter), but she’s good at her job, smart, principled, and is prepared to challenge her boss. Most importantly, she plays a critical role in Porter’s redemption. She provides the evidence that could prove what really happened back in Iraq. So, basically, with the exception of Layla, women in Strike Back are either nurturing, sexualised, annoying, hostile, unforgiving or in need of rescue….. yawn!

I’ll be sharing one more post on Strike Back that will focus on some of the good elements and then I’ll let it rest and get back to Spooks.

Strike Back images from RichardArmitageNet.

Strike Back, First Impressions

It was only yesterday that I said I was going to leave watching Strike Back for a while. But with the blogosphere a buzz with Strike Back discussion I got tired of trying to avoid spoilers and thought I may as well check it out. I’ve heard some say they love it and others say it was ordinary. I have to say that I’m rather underwhelmed by it so far. I finished watching episode three this morning and if Richard Armitage wasn’t in it I wouldn’t bother watching the remaining episodes. There are some good elements to the show, but the bad ones are level pegging with the good for me so far, so I’m only hanging in there by a whisker.

First of all it took some getting used to seeing RA as John Porter and not as Lucas North. I guess I’ve become accustomed to seeing RA in very distinct roles in which he looks completely different. As John Thornton, Harry Kennedy, Guy of Gisborne, and Lucas North, RA was barely recognisable from one role to the next. The costumes in Strike Back helped me make to the leap to seeing him as Porter. But when he visited the hostage he rescued in hospital, the black jacket and jeans he wore took me straight back to Lucas land.

This is ordinarily not an issue, adjusting to seeing an actor in a new role. The main reason it’s been a problem this time, I think, is that John Porter’s character is not adequately introduced. We know what has happened to him, his circumstances, that this he is an effective soldier and is a principled man, but that’s it. I know little of his personality. It’s not always necessary as a viewer to know a lot about a character (Bourne Identity comes to mind), but in this instance, I feel I needed a little more. It seems that the show’s writers were just eager to get to the action. I think it would have been wise have spend more time on the period between his discharge and reactivation so we could understand John Porter better. Consequently I think I learnt more about Porter from the press interviews for Strike Back than I did from the show itself. One wonders if this was perhaps part of the purpose of the media saturation.

My main beef with the show is the awful dialogue, especially in the scenes involving Porter and pretty much all of the female characters. Servetus has touched on this issue already. God damn! Does he say the lamest things. I’ve lost count of how many times I’ve rolled my eyes. As a critic of psychoanalysis I found the ink blot scene kind of funny (I find it hard to believe that such an antiquated method of psychiatric assessment is still being used) but as the show went on the catalogue of lame exchanges between Porter and women continued to pile up. The one that annoyed me most was when Porter attempted to comfort the news reporter hostage he rescued. “Brave girl” he said. Ergh! Girl? Comforting yet condescending, nice one, Porter. If I had of been that reporter some choice words would have been delivered in reply. This WOMAN is a foreign correspondent working in the middle east, in and around war zones. You have to be tough to do that job. She is no girl.

The accumulation of scenes between Porter and female characters that involved lame comments and sexual innuendo did not endear me to his character, which is already sketchy at best. This kind of stuff is of course perfectly fine to include in the show, but it seems to be repeated ad nauseum. Is this the only language Porter has with women? Boring! Ros and Lucas have plenty of playful moments in Spooks, but it does not underline their entire relationship.

I feel like I’m supposed to be endeared to Porter, and I want to be, he is the hero of the show.  I am sympathetic to the way he has been treated and to how his experience has affected his relationship with his family. I am impressed by his skill in the field and by his compassion and principled mind… but… the writers… they keep alienating me from Porter by using lame moments with women to .. what? Satisfy the male audience? To communicate to them that Porter is one of the lads? I don’t know. Different show, same shit, really, as far as female characters are concerned. I’m liking Layla so far, but I fear what stereotypical waters the writers will ultimately take her too. I hope this cynic is proved wrong!

So, first impressions, not so great. I haven’t mentioned the good points and there are some. But I’ll end with a lame comment of my own. One the best things about Strike Back… Porter Jeans… watch out Lucas, you now have a jean rival!

Screencaps from RichardArmitageNet.